⭑ Portfolio ⭑

my Smith-Corona typewriter, shot on digital

I write in academic and creative mediums, seen here. I also occasionally take photos on digital and 35 mm film, seen here.

Find my CV here.

current projects

explores the makings of the Filipino American diaspora across urban and colonial landscapes in early-20th century Chicago and the Philippines. Through a micro-historical methodology analyzing paper ephemera and archival film from community and institutional sociological archives, this paper adds greater nuance to often-overlooked history of Filipino American emergence in the Midwest during the American colonial period of the Philippines (1898-1946). I argued that Filipino Chicagoan diasporic subjects, neither elite paragons nor marginalized pioneers, navigated an acutely liminized colonial and racial subjecthood by cultivating images of settler prosperity to locate their belonging in the racially stratified climate of 1920s-1930s Chicago and the Midwest.  

America is in the Heart-land

  • Foundation of a Community's Memory // October 2024

  • Association for Asian American Studies // May 2025

  • Chicago in Quotas and Communities // October 2025

  • Archives // OCTOBER 2025 (EUNICE ALPASAN, WTTW)

selected WORK

Howth Cliff Walk, Dublin, Ireland on 35 mm film, shot on Olympus Trip 35 by me

Awards & Recognitions

RDI Department BA Thesis 2025 Prize

“Reese Villazor’sthesis, “America is in the Heart-land:” U.S. Empire and the Makings of the Filipino American Diaspora in Early 20th-Century Chicago,” is a deeply researched account of early Filipino life in Chicago, which explores the intersections between settler colonialism, U.S. imperialism, and Indigenous dispossession. Tracing shifts in attitudes, experiences, and legal status from the 1890s to the 1950s, as well as the role of education as a tool of colonial empire, the essay resists homogenizing the experiences of Filipino Americans, granting us glimpses into a rich range of diasporic lives.”

Selection Committee, anonymous

margaret c annan memorial 2024 award

“This essay is formally daring, emotionally nuanced, chasing a grief that defies language with drawings, screenshots, strike throughs, subheadings--all manner of evidence and fragment, trying over and over to grasp something shattered.”

— Kendra Greene, judge

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